![]() ![]() “The Past Ain’t Passed” is nine minutes of raga-like wanderings, tension turning to release in an explosion that seems to happen with the slowness of leaves changing colors, aided greatly by Jewell’s flowing percussion. The results are something different, more a fully stocked geodome than a motel. Forsyth has continued his allegiances with guitar experimenters, too, including a striking ongoing duo with spectral minimalist Loren Connors, but his subsequent albums leading the rotating Solar Motel Band have remained decidedly inside, their energy easily classifiable as rock.īilled as a solo project, All Time Present channels the flaring Solar Motel energy on extended workouts like “New Paranoid Cat” (the newest iteration of his standard “ Paranoid Cat”) and, especially, the nearly 20-minute album closer “Techno Top.” Most cuts feature semi-fixed Solar Motel dwellers, too, including keyboardist/saxophonist Shawn Edward Hansen and bassist Peter Kerlin alongside the soulful and melodic drumming of Ryan Jewell. Epic and tasty solos over punk/motorik/hippie grooves followed. With 2013’s solo album Solar Motel, though, he reframed his playing inside the vocabulary of classic (or at least canonical) rock. On the acoustic-driven “The Man Who Knew Too Much,” the song climaxes with a repeating phrase that seems to get quieter as it goes.Īs a member of the experimental trio Peeesseye for much of the 2000s, Forsyth located himself deep in the celestial noise fringe, making music that actively challenged form. And while Forsyth sometimes cranks up the wizardry and spits lightning through his strings in the traditional note-filled manner, there are just as many moments that don’t depend on Forsyth’s flash. Forsyth’s playing is less reinvention than re-entrenchment, finding his voice inside the permanent revolution of guitarists yearning to combine their six strings in previously un-struck combinations, like mystic transliterators committed to a mathematical religion.
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